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We ve made our recommendations regarding your career-oriented assets, house, and investments in your employer. Insulate the three as much as possible! We also have discussed how to invest your cash reserves and bonds in a tax-efficient manner through the use of no-load mutual funds and how to diversify your assets in these categories. Here is what we do to diversify our stock holdings. We divide the amount that we have allocated to our stock portfolio into twenty 5-percent increments and invest those increments in a combination of stocks and no-load mutual funds. Let s assume that our investment analysis has turned up a number of screaming buy recommendations for undervalued stocks. If we are bullish on the stock and find the price attractive, we ll buy a 5-percent position for a portfolio. We ll do that for up to 20 individual stocks, making sure that none of the stocks is too closely correlated to another that we own. If we are extremely bullish on a particular stock that we own, we ll allow our relative portfolio percentage to increase, either through the appreciation in price of the stock over time or through an additional purchase, to a maximum of 10 percent of our equity portfolio. Any portion over 10 percent will be sold when we rebalance our equity portfolio, which we perform on an annual basis. Let s assume that no individual stock tickles our fancy. We would have our entire stock allocation in no-load mutual funds. What types of funds Since mutual funds themselves provide significant diversification, we would focus on just a few areas: domestic large cap and small cap value, domestic large cap growth, an international fund, and a domestic fund with exposure to the real estate market. A large cap

584 Acoustics, audio, and high fidelity In music, audio frequencies are divided into three broad, vaguely defined parts, called bass (pronounced base ), midrange, and treble. The bass frequencies start at 20 Hz and extend to 150 or 200 Hz. Midrange begins at this point, and extends to 2000 or 3000 Hz. Treble consists of the audio frequencies higher than midrange. As the frequency increases, the wavelength becomes shorter. In air, sound travels at about 1100 ft/s, or 335 m/s. The relationship between the frequency f of a sound wave in hertz, and the wavelength wft in feet, is as follows: wft 1100/f

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The metric formula is also valid for frequencies in kilohertz and wavelengths in millimeters. When using the formulas, be sure you don t get the units confused. A sound of 20 Hz has a wavelength of 55 ft, or 16.8 m, in the air. A sound of 1000 Hz produces a wave measuring 1.1 ft (13 in), or 33.5 cm. At the extreme treble end of the audio spectrum, a wave is just 0.055 ft (two-thirds of an inch), or 17 millimeters, long at 20 kHz. In substances other than air, such as water or metal, the above formulas do not apply. There is also some change in the speed of sound with changes in air pressure and humidity. Sound waves 55 ft long behave much differently than waves measuring less than an inch, and both of these act differently than a wave 13 in in length. Acoustics engineers must take this matter into consideration when designing sound systems.

One of the reasons the STAMP 2 is so powerful is that it can communicate with the outside world through a serial port. There are many peripherals that will communicate with the

The frequency, or pitch, of a sound is only one of several variables that acoustic waves can possess. Another important factor is the shape of the wave itself. The simplest acoustic waveform is a sine wave, in which all of the sound energy is concentrated at a single frequency. Sine-wave sounds are rare in nature. A good example of a sine-wave sound is the beat note, or heterodyne, produced by a steady carrier in a communications receiver. In music, most of the notes are complex waveforms, consisting of energy at some frequency and various multiples, or harmonics. Examples are sawtooth, square, and triangular waves. We looked at these in chapter 9. An instrument might produce a note at 1 kHz and also at numerous harmonics: 2, 3, 4 kHz and so on. The shape of the waveform depends on the distribution of energy among the fundamental frequency (lowest frequency) and the harmonics. There are infinitely many different shapes that a wave can have at a single frequency such as 1 kHz. Music comprises many different tones that intermingle to make the overall waveform almost unfathomably complicated.

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